word food: the copywriting ezine from wordfeeder.com
JUNE 2006
IN THIS ISSUE

greetings from dina - head copy chick

copywriter
Dear Word Food Subscriber,

I call this issue of Word Food "something for everyone."

Newbie writers, check out our June feature, How much should I charge my copywriting clients?

Self-sustaining web business owners, don't miss our latest offer, Three Ways to Pull in More Sales With Articles.

I hope you enjoy the summer (or, whatever season is upon you).

Sincerely,

Dina Giolitto
Copywriting Consultant
Wordfeeder.com

 

copywriting feature

Freelance Copywriting: How Much Should You Charge?

by Dina Giolitto

I know what you're thinking: online copywriters are a sneaky bunch, and that's why so many of them refuse to publish their rates on their websites. Not true, not true at all.

Several months ago, a bold young copywriter called me from across the country to ask what I charged my copywriting clients. The throwaway answer to this question (in 2006) is, "Anywhere from $40 to $100 per hour." Even so, I had to give her the classic response, you know what it is, come on, say it with me:

It Depends.

I know that's not the answer that people want to hear. They want a magic number that they can say yes or no to and be on their way. "It depends" begs a discussion, which nobody has time for these days. But the dead honest truth is that you MUST discuss... because what you charge your copywriting clients really and truly does depend on a several critical factors. These are:

1. Your level of experience. Let's be realistic. If this is the fourth website you've ever worked on in your life, you can't very well charge the same that the local 20-year copywriting legend is getting. Your samples tell the story... so if you have great ones, get those up there and make it look sharp! People will be far more likely to pay you a price that professionals get if they believe that you are, in fact, a professional. A professional is someone with experience. Can you say that about your copywriting skills... and mean it?

2. Your location and the client's location. I learned the hard way that you won't get so much as a nibble from Mom and Pop Midwest clients if you're pitching Manhattan rates. Of course, you can choose to be selective about your clients and only skim the cream from the top. But let's not forget that some terrific portfolio-builders can be had from the client on a budget who needs you to meet him halfway. Strum your fingers waiting for that windfall... or, roll up your sleeves, have a taste of humble pie, and build up some real credibility that will help you reel in that Big Fish later on!

3. The scope of the project. Picture this: two websites, both seven pages each. One sells baby clothes and toys; the other explains the science behind ergonomic office furniture. Do you charge your standard rate per page in both cases? No way, no how! It's going to take you at least twice as long to research, write and edit the ergonomics website; and you deserve to be compensated fairly for your work. So, DO adjust your rate according to the difficulty of the subjectmatter and the attention to detail that will be required of you.

4. The customer's track record. Here's a line that every new client and his mother will feed you during the price negotiation phase: "We're looking to develop a long-term relationship with our copywriter" (Insert hidden meaning, "So, can you cut us a nice price break?"). That may in fact be true, but don't wrongly assume that the chosen copywriter will be you until the day it happens. In other words, it's unwise to offer a sweet deal to someone who just walked in off the street. It may take getting burned a few times before this sinks in with you, but trust me, the new guy hasn't earned squat. Your loyal, low-risk customers who have been with you for years are the ones who deserve the royal treatment and the discounts. Everybody else gets standard rates until they prove that they're worth investing in for the long term.

5. The anticipated turnaround. If you know that it'll take you two weeks to fit the new client into your work schedule and turn around a respectable-sounding draft, then what about the rush job guy who wants it done by Friday? Simple, charge him extra and let him know exactly how much more he'll be paying to make you hustle on no advance notice. Some clients would have you typing into the wee hours of the morning while walking all over you and dipping their slippery hands into your back pocket. Don't let 'em get away with it! Priority jobs deserve priority pricing and that means the customer pays extra to get extra special treatment. If he doesn't like the number you're giving him, then tell him you'll go back to the standard rate if he agrees to accept your timeframe. Either way, am I making it clear why some clients should be charged more than others?

6. The client's budget. As I mentioned in Point 4, your freelance comrades and long-term customers are the ones who deserve the real break here. If you know someone that's a great payer, solicits your services repeatedly, refers your name to their own list of trusted contacts, and whom you have an excellent working relationship, consider offering a Preferred Customer rate for this person. Many freelance copywriters develop a nice working rapport with web designers who are in the same boat. Having a web designer on your side who can wade through the technical mishaps is a true blessing. If you have one who also sends business your way, even better! Make this person a business partner and offer terrific incentives to work with you including lower rates, and even work barter arrangements in some cases.

But Dina, why not just have a standard fee?

If you were selling web copy in a can, then I'd say to you, absolutely develop a standard fee and stick to your guns about it. You could charge X amount per page, per word or per item. The underlying logic would of course be the value of the product would never change, so why should the price? But that's NEVER the case with individually-contracted copywriting jobs. Run through points one through six again and remind yourself that every project must be quoted on a per-case basis!

What about an hourly rate for all projects?

Hourly works in the freelancer's favor for sure. The problem, however, is that hourly rates sometimes scare away new clients who are afraid you'll take a really long time to turn drafts around and they won't get their money's worth. So, if you do charge by the hour, reassure your clients that "one hour" is approximately two pages of copy or whatever the case may be for that particular project.

Which brings me back to my initial point: every copywriting job is different; therefore, the rate you charge will really depend on the project details.

The best solution: do what auto repair shops do, and provide a written estimate for each copy job after discussing the preliminaries with your potential client. State an hourly rate, and then do a "guesstimate" of the time it will take to complete the project. If, after beginning the work, it seems like the project will go over the allotted time, hit the brakes and ask to discuss fees for the next phase of production. And always give yourself a contractual legal loophole, in case you have to back out of an uncomfortable situation in a hurry!

Go forth and prosper in your freelance copywriting endeavors.


Copyright 2006 Dina Giolitto. All rights reserved.

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